ArchivesSpace at the University of Iowa

This e-mail on 7/19/97 (for 7/18/1997) documents the Huth family 1997 cross-continental trip by automobile. They camp in Colorado. -- Source of annotation: Marvin or Ruth Sackner.

This e-mail on 7/20/97 (for 7/19/1997) documents the Huth family 1997 cross-continental trip by automobile. They travel through Wyoming to Denver. -- Source of annotation: Marvin or Ruth Sackner.

This e-mail on 7/21/97 (for 7/20/1997) documents the Huth family 1997 cross-continental trip by automobile. They travel through Nebraska. -- Source of annotation: Marvin or Ruth Sackner.

This e-mail on 7/21/97 (for 7/21/1997) documents the Huth family 1997 cross-continental trip by automobile. They travel from Ogallala, Nebraska to the Homestead National Monument of America through Kansas and arrive at the Germanic town of Cocordia, Missouri. -- Source of annotation: Marvin or Ruth Sackner.

This e-mail on 7/23/97 (for 7/22/1997) documents the Huth family 1997 cross-continental trip by automobile. They leave Cocordia, Missouri to Saint Louis and go up the Gateway Arch. Then they drive to Goodlettsville, Tennessee to visit family. -- Source of annotation: Marvin or Ruth Sackner.

This work consists of electronic postcards during Huth's April 2000 trip to Millbrae CA to celebrate the 100th birthday of his grandmother. -- Source of annotation: Marvin or Ruth Sackner.

This work is composed of several e-mails from July 25 to August 22, 2000 dealing with the Huths trip from Schenectady, New York to visit family in Goodlettsville, Tennessee. The last e-mail lists the statistics for this trip. -- Source of annotation: Marvin or Ruth Sackner.

This piece is numbered out of sequence to fill a missing number. These e-mails document the visit of a cousin to the Huth's house and the sight seeing near it. -- Source of annotation: Marvin or Ruth Sackner.

This calligraphic text was included as a folded print in Portfolio Chopin. It is a linear extract of letters by Henri and Bernard to each other from 1962 - 1977. The two are identified by heavy printed letters, BH and HC. The maquette drawing for this print is also held by the Sackner Archive. The prints are stored in the Heidsieck drawer. -- Source of annotation: Marvin or Ruth Sackner.

This is physically the smallest book published by the Press. Ring Piece documents Hendricks' performance at the 8th Annual New York Avant Garde Festival in 1971. In the middle of Manhattan's 69th Regiment Armory (famous for housing the Armory Show in 1913). Hendricks sat in silent meditation for twelve hours, dressed in a tuxedo atop a mound of dirt under which lay buried various relics of his ten-year marriage to Bici Forbes (aka Bici Hendricks). The relics had been slightly altered (sliced or rent in two) in a ceremony of the divorce itself. -- Source of annotation: Marvin or Ruth Sackner.

This book is replete with line drawings and experimental typography. -- Source of annotation: Marvin or Ruth Sackner.

In these letters, Evason writes about his mental illness. -- Source of annotation: Marvin or Ruth Sackner.

This is recording of the artists' impressions of a two week trip to Afghanistan in 2002 in the aftermath of 9/11. -- Source of annotation: Marvin or Ruth Sackner.

The editor was the mother of Dan Eldon, a Reuters photographer, who was stoned to death in Somalia in 1993 by a mob reacting to a UN bombing raid on the suspected headquarters of their military leader. She writes an exceptional. poignant biography. The visual/verbal content of Dan Eldon's diaries document his short, full life. -- Source of annotation: Marvin or Ruth Sackner.

Third Printing is written on the cover. This book is a imagined diary. -- Source of annotation: Marvin or Ruth Sackner.

The drawing consists of a photorealistic depiction of a student's punchcard for an examination on the left side and documentation of "Recent Mideast Violence." -- Source of annotation: Marvin or Ruth Sackner.

Volumes I & II were edited by Nejma Beard and David Fahrey. Volume I depicts Beards' work along with critical texts. Volume II provides Beard's biography, a long interview, and an index to Volume I. -- Source of annotation: Marvin or Ruth Sackner.